Projects per year
Abstract
This essay addresses the realities, tensions and contradictions of food culture
in postsocialist states. The main discussion is on the Latvian art scene,
particularly the work of artists Aija Jurjāne (1944–2015) and Rasa Jansone (b.
1973). Aija Jurjāne was a teacher in an art school and her paintings, as well as
countless drawings, mostly reflected her private domestic space and family life,
including the kitchen – simultaneously an asylum, confinement, and an artist’s
studio. The second artist is Rasa Jansone. In her collages and installations, she
weaves the stories of her mother and grandmother with the postsocialist food
politics and the feminized labour of care work. Of special interest is her
installation Diet (2017), which consisted of more than 400 items of jarred food
(pickles and jams) – an experiment to perform the foodwork that was part of
her grandmother’s annual routine. By attending to the representation of the
kitchen both as a physical and symbolic space, the essay explores how the
construction of postsocialist femininity is intertwined with food practices,
shaping the position of women artists.
in postsocialist states. The main discussion is on the Latvian art scene,
particularly the work of artists Aija Jurjāne (1944–2015) and Rasa Jansone (b.
1973). Aija Jurjāne was a teacher in an art school and her paintings, as well as
countless drawings, mostly reflected her private domestic space and family life,
including the kitchen – simultaneously an asylum, confinement, and an artist’s
studio. The second artist is Rasa Jansone. In her collages and installations, she
weaves the stories of her mother and grandmother with the postsocialist food
politics and the feminized labour of care work. Of special interest is her
installation Diet (2017), which consisted of more than 400 items of jarred food
(pickles and jams) – an experiment to perform the foodwork that was part of
her grandmother’s annual routine. By attending to the representation of the
kitchen both as a physical and symbolic space, the essay explores how the
construction of postsocialist femininity is intertwined with food practices,
shaping the position of women artists.
| Original language | English |
|---|---|
| Title of host publication | Re-Evaluations in Feminism and Contemporary Art |
| Editors | Katy Deepwell |
| Place of Publication | Wilmington |
| Publisher | Vernon Press |
| Chapter | 15 |
| Pages | 263-284 |
| Volume | 1 |
| ISBN (Electronic) | 979-8-2616-0054-1 |
| ISBN (Print) | 979-8-2616-0032-9 |
| Publication status | Published - Apr 2026 |
Publication series
| Name | Series in Art |
|---|---|
| Publisher | Vernon Press |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 5 Gender Equality
-
SDG 10 Reduced Inequalities
-
SDG 16 Peace, Justice and Strong Institutions
Keywords*
- postsocialist feminisms
- foodwork
- Diet
- contemporary art
- double burden
- Aija Jurjāne
- Rasa Jansone
Field of Science*
- 6.4 Arts (arts, history of arts, performing arts, music)
- 5.9 Other social sciences
Publication Type*
- 3.2. Articles or chapters in other proceedings other than those included in 3.1., with an ISBN or ISSN code
Fingerprint
Dive into the research topics of 'It’s Your Fault! Feminist Art, Foodwork and the Postsocialist Kitchen'. Together they form a unique fingerprint.Projects
- 1 Finished
-
Vegetal Agency and Contemporary Art: Towards Sustainable Relationships with a More-Than-Human World
Kukaine, J. (Project leader) & Grīviņš, M. (Supervisor)
Recovery and Resilience Facility
1/04/24 → 31/03/26
Project: Consolidation grants
Datasets
-
Plants and Vegetal Agency in Latvian Contemporary Art
Kukaine, J. (Creator), Rīga Stradiņš University Institutional Repository Dataverse, 23 Mar 2026
DOI: 10.48510/fk2/oxtldr
Dataset
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